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Friday, January 15, 2010
chartbusters in south scope oct 2009
After five decades, Kalathoor Kannamma remains a legend of south Indian cinema, as much for its cinematic prowess as for being Kamal Haasan's first film. Pavithra Srinivasan revels in the nostalgia. Movie: Kalathoor Kannamma Director: A. Bhimsingh Produced by: AVM PRODUCTIONSMusic: R Sudarshanam Year of release: 1960 Cast: Gemini Ganesan Kamal haasan savithri For all intents and purposes, Kalathoor Kannamma was your readymade big-budget movie with all the requisites of the day: A Bhim Singh, who ruled the roost with his romances those days, Gemini Ganesan, Savithri both known for their unmissed chemistry and remarkable performances - and the inimitable M R Radha, a villain not easily forgotten. The story was calculated to be a heart-wrenching tear-jerker and everyone was sure that it would catapult the leads into yet another blockbuster.
Which it did but for a different reason altogether.
in many ways, Kalathoor Kannamma was the archetypal melodrama that spawned numerous emotional dramas, poor imitations that couldn't catch the spirit of the original.
Bhim singh's scripts, however, were refreshing and his ability to bring out the emotions from the actors was truly commendable. It was the classic love story - rich boy, poor girl, opposing parents and a love that finally unites all.
the script needed a charming young boy to play Savithri's forlorn son the reason why his parents come together.
But no matter how charming any child was, he really wasn't going to make a dent in the savithri-ganesan romance.
except that when a certain youngster appeared in the opening shots, singing "Ammavum neeye, Appavum neeye," adorable in a heartbroken sort of a way, with a host of other orphans, emotions went into overdrive. People flocked to see this child who really was a child and not some adult dressed in children's clothes.
His precocious chatter, melting brown eyes and a natural knack for adapting to the screen became legendary. And though everyone knew that the boy was born for the screen, no one quite expected him to become a legend in his own right.
Fifty years later, he's counted among the legends of not just the south but of Indian cinema. Kamal Haasan's first film was special in a lot of ways.
Kalathoor Kannamma, with its lilting melodies revolved around the child, especially in the second half. As savithri and ganesan separate not willingly, but because of a cruel intervention of fate, not to mention an irate M R Radha's threats the only proof of their marriage is the child.
no one knows they're married, and Savithri's child is taken away in the belief that she would be better off without him. Kamal Haasan grows in an orphanage, believing his parents are dead, while in reality, his parents are angry, frustrated and sorrowful, thinking each betrayed the other.
But Ganesan stumbles upon the child and practically adopts him. Blood is, after all, thicker than water. And that's how he finds his wife, as well right in the nick of time in the tradition of Tamil cinema, on the verge of tying the thaali around another woman's neck, and in the presence of the entire community (or how else would their relationship be sanctified?) Kalathoor Kannamma wasa blockbuster but more, importantly, it made Kamal Haasan a star, and fetched him the National Award for Best Child Artist.
In later years, on the sets of Avvai shanmughi, Ganesan would joke around: "In Kalathoor Kannamma, i carried him around, in Avvai shanmughi, Kamal carries me!"
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south scope
arround the world in 24 frames in south scope oct 2009
Ramakanth T explores the dynamics of underlying prejudices in every aspect of life that Philadelphia so convincingly portrays May we never find space so vast, planets so cold, heart and mind so empty that we cannot fill them with love and warmth... There were perhaps very few films in the past which dealt with complex subjects like human prejudice as convincingly as Philadelphia (1993).
The story is about Andrew Becket (Tom Hanks), a brilliant young attorney who works with a formidable law firm in Philadelphia. He shows the first visible signs of AIDS when he is assigned a prestigious case by his firm. But to his shock, the management sacks him suddenly citing some alleged incompetence that might have cost them the case. When Andrew realises that he was actually a victim of ugly social discrimination because of his illness, he decides to fight against his ex-employer with the help of yet another smart lawyer Joe Miller(Denzel Washington) and wins the case.
The outraged justice, seductive story line and courtroom dramas are fairly familiar subjects for the filmmakers. But the craft of narration is so refreshingly innovative right from the word, go.
An uncomfortable experience of emotional indifference is established at the very beginning with some excellent montage shots super imposed by a stimulating song by Bruce Springsteen.
There is a kind of hurriedness, which perhaps reminds us of the fast deteriorating health of Andrew, juxtaposed with serene moments with soft dissolves to indicate the inevitable.
Joe Miller, the attorney who reluctantly agrees to accept the case of Andrew takes his time to outgrow his own prejudice on AIDS. "let's talk about what this case is really about; the general public's hatred...our loathing, our fear of homosexuals." ...he announces boldly in the court. Is he announcing his experience? Being a black man, would he have identified with such issues of being loathed and hated in his own life?
By the way, he himself doesn't approve of Andrew's lifestyle. "I hate homosexuals..," that's what he says to his wife in one of those dinner talks! And of course, the boss of the Andrew's law firm, Charles Wheeler (superbly played by Jason robards) would not have experienced any of these discriminations. After all, he was always on the right side of the `rules' according to him. When he is asked to talk in front of the judge, he describes Andrew as the guy who wants to benefit by the system, but doesn't want to play by the system's rules. But on Joe's questioning he states things like Andrew Becket's `character', the `society' being run by `these kinds of people' who want to bend the rules, `decent values,' getting the society back on the wheels etc...he says it all. A spectacular example of an intelligent, thinking man who is blinded by his own value system founded on moral prejudice.
He actually knows that it is not about a disease but about Andrew Beckett's character. He also knows that he fired Andrew because the choices he made in his life were simply unacceptable. The cigarmunching legal kingpin with his craggy face, gravelly voice, cannot believe to be dragged on to the mat to lose to Andrew, a disgusting show piece of social decadence.
In another scene, when Andrew makes Joe listen to an opera of Andrea Chenier, he talks about heartache in the voice of Madeleine, who was saved by her mother when a mob set fire to her house during the French revolution, sacrificing her own life. He talks about the lovely music which fills with hope. not very unconventional though, the extremely disturbing nature of this scene reveals the sudden surfacing of the lust for life of a dying man.
He quotes `It was during that sorrow that love came to me! A voice filled with harmony that said...live still, I am life'... What is going on? Probably his heart is craving for the love which finds as many reasons to accept than reject. A world without prejudices.
Philadelphia is a moderately melodramatic script worked on a neat arc and format, the film compelled to signal that the heart is at the right place. All the high points of the film are admirably understated. There are very few conventional emotional moments. no high drama at the time of the verdict. Death scene is heart-wrenching but not that dramatic. no rough edges as you see Andrew who is so lovable, is dying. Audience is made to involve in an uncomfortable subject like AIDS with a remarkable treatment as Joe, who is the defender himself never comes around with a broader perspective on the subject.
What are the other tools which work convincingly in dealing with subjects like prejudice? We need contrasts, which is again, thanks to the extremely tidy script, very well placed. The defense attorneys are a black man and a woman. To bring in the coalition on sympathies about the guy with AIDS, there is a brief show on a woman, a trial witness, who talks how she had innocently contracted the disease through infusion. To firm it up and to get the audience on his side, they show how beautiful his family picture is and where he enjoys unfailing support from his parents, sisters and brothers. The lawyer who works for him is small and the firm he 1993 Director : Jonathan Demme Writer (WGA) : Ron Nyswaner Genre : Drama Awards : Won 2 Oscars. Another 9 wins & 12 nominations Cast : Tom Hanks, Denzel Washington, Roberta Maxwell, Buzz Kilman... fights against is really a big bad one! To establish that it is not a film about AIDS, the filmmakers shrewdly ignored any intimate scenes between the characters. However, they made a very intelligent attempt to bring out every one's feelings, on the subject - mostly unfounded beliefs that are devastatingly discriminative. In the process, the audience is introduced to a completely new world of problems and sensibilities of AIDS patients for their acceptance.
This film is famous for oscar winning performances - brilliance of Tom Hanks, Denzel Washington and others. Tom Hanks connects every nagging issue about his condition to a basic human rejection. He rejects the societal alienation. He rejects the rights and wrongs of `common people'. He demonstrates the freedom of life as it was captured in a home video tape, which shows the little Andrew shouting gleefully as he chases a new puppy, squealing as he jumps into a tiny swimming pool, riding a bike with training wheels...he could not be bothered by what people think of him.
Both Jonathan Demme and ron nyswaner, were supported by some brilliant works of Tak Fujimoto (Camera), Craig McKay (editor) and Howard Shore (music).
Labels:
south scope
southern cinema sweeps the national awards south scope oct 2009
southern cinema sweeps the national awards this year, and how! Karthik Pasupulate and Sridevi Sreedhar report.
It was a case of hit and run, at the 55th National Awards. For southern cinema that is. Malayalam cinema lived up to the tag of the most creative film industry in the country bagging five awards.
Tamil cinema emerged a close second winning four while Kannada actress Uma Maheshwari was adjudged the best actress for her performance in Gulabi Talkies.
Be it the best feature film, best director, best actor, best actress, best music, best animation film, best special effects, best editing and best make up artist... the south Indian films swept them all, overcoming stiff competition from Bollywood.
sRK starrer chak de india and Aamir Khan's taare zameen par were popular contenders for the best feature film award but Kanchivaram was in a league of its own. The film won critical acclaim in all the 14 international film festivals it has been screened at so far. Priyadarshan and his crew received a standing ovation when the film was screened at the Toronto film festival.
Set amidst the lives of the community of silk weavers of Kanchivaram in the 1920s the film is a touching tale of a weaver who takes to communism only to find himself caught between personal needs and the pursuit of social equality. Prakash Raj was simply brilliant as the protagonist Vengadam, who is unable to buy a silk sari for his daughter. the irony of the weavers who make silk saris all their lives not being able to afford the same saris for themselves forms the crux of Kanchivaram.
Master filmmaker Adoor Gopalakrishnan was adjudged the best director for Naalu pennunga. The film is based on Jnanapith award-winner Thakazhi Sivasankara Pillai's four short stories. This is his ninth national award and fifth in the best director category.
Music director ouseppachan won the National Award for his musical score in shyamaprasad's Ore Kadal. pattanam Rasheed was given the award for best make-up for his work in paradesi. B Ajit won the best editing award for his work in Naalu Pennungal. shyamaprasad's ore Kadal was awarded the best regional film.
Chennai-based special effects company, indian Artists, which worked on Rajinikanth's look in sivaji took home the prize for Best Special Effects.
the animation studio, Mayabimbham won the Best Animated Film award for India's first 3D-animated movie inime nangathan.
Best Feature film Kanchivaram (tamil) director priyadarshan Best Animation Film inimey naangathaan (tamil) Director S Venky Baboo Best director naalu Pennungal (malayalam) Adoor Gopalakrishnan Best Actor Kanchivaram (tamil) prakash Raj Best Actress Gulabi talkies (Kannada) umashree Best editing naalu Pennungal (malayalam) - B Ajith Kumar Best make-up Artist - Paradesi (malayalam) pattnam Rasheed Best Music ore Kadal (malayalam) ouseppachan Best Special Effects sivaji (tamil) indian Artists, chennai Best Regional film ore Kadal (malayalam)
i knew Kanchivaram would work after seeing the response we got at the festival circuits like toronto, where the audiences gave it a standing ovation. Actually, when I finished the script, my close friend, Mohan Lal was supposed to do the film, but he had scheduling issues. Then I zeroed in on Prakash Raj, who I think is a fantastic actor and his dialogue delivery in Tamil gave him the edge over Mohanlal. Prakash took Kanchivaram to a different level, was totally committed and did the film without taking any remuneration. After seeing the first copy together, I told him that he will get a national award for it! - Priyadarshan "I am very happy and consider this award as a recognition for a new attempt in indian cinema.
Naalu Pennungal has four different stories made as one film."
- adoor Gopalakrishnan "I owe this award to Adoor sir, who made it possible".
- b ajit "It was not easy to do make up for a period film like paradesi in which the hero has four different looks, including that of a 70-year old man.
But i have to thank Mohanlal who encouraged me and made the character come alive on screen."
- Pattanam rasheed "I never expected this award. so when i came to know about it, I was shocked! i consider this as a very big honour and thank my producer Vindyan who introduced me to director shyamaprasad for Ore Kadal.
the songs in the film were different from my usual style and shyam reinvented my talents as a music director."
- ouseppachan "This is my hat trick national award for the best regional film. I am very happy that the film got noticed."
- shyamaprasad
I owe it all to one man, Priyadarshan, without him, Kanchivaram would not have been possible.
i'm on top of the world since i heard the news. The film was very close to my heart. When he first narrated the story, I fell in love with it. i was willing to give any number of dates to Priyan after reading the complete script. the character of Vengatam is a life time role. i've got a national award in the supporting role category four times and the big one proved to be elusive till i got it now for Kanchivaram. it will adorn an important place in my show case, as it is the most prestigious award i have ever received. How much of this do you attribute to luck?
there have been many controversies in the media that Shah Rukh Khan, Aamir Khan, Mohanlal and Sathyaraj were strong contenders for the national award for best actor. i have the highest respect for all of them and loved their films. But it was my lucky day! How did you prepare for the role?
Priyadarshan had written the script many years back and was thinking of doing it with Mohanlal, but somehow it did not work out. When he approached me and narrated the script, I told him that I'll cancel all my other commitments and do the film. As far as the character goes, I just did what Priyan asked me to do, but did some basic background study about the character, the weaver community and the setting up of co-operatives in Kanchivaram.
Tell us about your future projects.
I would definitely do more realistic films in future. Vengatam the master weaver is the most intense and powerful character i have ever played. i am passionate about good cinema and i'm proud to have produced films like mozhi and abhiyum naanum and will continue to produce meaningful films. At the same time my forte is commercial cinema, where I will continue to do villain roles (laughs).
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south scope
Bioscope in south scope oct 2009
GOOD the concept of water in every frame is unique. The first half is extraordinary and Manoj paramahamsa's camerawork is top class. The lead pair is fresh and their performances are pretty realistic. Aadhi, who debuted with Mirugam has made a fantastic comeback as a cop in eeram, his second film. Guy's got some potential! Sindhu Menon and Nandha fit the bill well. The SFX work is simply brilliant. Don't have to say more! n the unexpected twists and turns are baffling.Could have been better. The film is too lengthy and could have been made crisper. Post interval, it turns rather predictable and the climax peters out to be run-of-the-mill kind. The music is just passable and wonder why the audio quality is so jarring. -sridevi sreedhar cast: Aadhi, Nandha, Sindhu Menon, Saranya Mohan direction: rivazhagan Music: Thaman produced by: Shankar
Good A brave film that's very different from the usual formula driven superstar kind of fare. it shows.
n Director Akku Akbar and scenarist K gireesh Kumar come up with an engaging thriller which can send a chill down your spine, even without the mandatory screeches or excessive melodrama.
n The first half is an engaging mix of horror and suspense. the message is clear and it screams - a strong cry against abortion and the right of the unborn child.
n Jayaram and padmapriya are very good but it is Baby Nivedita who steals the show with a scintillating performance Could have been better...
n An engaging first half peters out to be a run-of-the-mill ghost story with no thrills.
n the songs are not as interesting and the way they are shot is pretty clichéd.
n The climax looks stage managed.
- sridevi sreedhar cAst: Jayaram, Padma Priya, Baby Nivedita diRection: Akku Akbar Music: Shyam Dharman pRoduced BY: Moserbaer Entertainment
Labels:
south scope
Suriya v/s Vijay In South Scope Oct 2009
The festival of lights this year will witness firecrackers at the box office as the stars battle it out for the top-slot. Southscope offers a ringside view asthe box office biggies Surya's Aadhavan and Vijay'sVettaikaran - collide head on... In what can be described as the season's clash of the titans, Suriya and Vijay contend for the top slot with their ambitious films Aadhavan and Vettaikaran respectively.
Since January 2009, only seven of Tamil cinema's A-list stars had a release. Vijay's Villu, surya's Ayan, Vishal's thoranai, Kamal Haasan's Unnaipol Oruvan, Vikram's Kanthasamy, Vijay's Mariyathai and dhanush's padikkathavan were the big-budget movies that were released.
in addition, Jeyam Ravi's peranmai and a few other small-budget movies are expected to release on the same day.
So what's the big deal about the day?
Traditionally, audiences throng movie halls during the festival. Consequently, collections of movies increase threefold. This has remained a well-preserved tradition over the years. Though, the talk of both the films being released on the same day was floating in the air, it wasn't confirmed. It was expected that Vijay's film would be postponed by a month because of a fire that erupted on the sets of the movie.
But, the superstar has confirmed to the press, "100 percent, it will have a release on the Deepavali of 2009".
Vettaikaran though being directed by newcomer Babu Sivan is the Goliath at box office, as it's being produced by AVM Studios and released by Sun Pictures, both known for their marketing muscle.
so far, except Ajith none of the stars of Tamil cinema have been a competition to Vijay's might at the box office. He is still considered a force to reckon with though his last three films Azhagiya, Tamil Magan, Kuruvi and Villu didn't create major magic at the box office. But this time, another superstar, Suriya is releasing his film taking on a Vijay-starrer, Aadhavan which is by no measure lesser on ammunition.
It's being directed by dashavataram & Muthu fame K s Ravikumar. udhayanidhi Stalin's Red Giant Films produced this film. Suriya's last film Ayan grossed over 40 crores from Tamil Nadu alone nearly crossing the records of Vijay's blockbuster pokkiri. Needless to mention, buyers are lapping up the rights of Aadhavan too. Also, this clash is a role-reversal of sorts. AVM which had earlier produced Surya's Ayan are the makers of Vettaikaran, while Red Giant which produced Vijay's earlier dud Kuruvi is producing Aadhavan.
Vettaikaran is high on hype as - Vijay Anthony known for his mass numbers, scores the music for this action film.
Additionally, Vijay's son Sanjay has done a cameo in one of the songs in the movie. One of the clips from the movie that got leaked and surfaced on the internet generated plenty of buzz for the movie.
After Vaaranam Aayiram and Ayan, harris Jeyraj and suriya team up again for Aadhavan which has slowly crept its way up to the top of the charts. the song Hasili Fisili' is the ring tone of most youngsters in chennai.
Both the films are carrying heavy expectations. Aadhavan is made on a budget of 30 crore, while Vettaikaran too is produced for a similar sum. As K.S Ravikumar's dashavataram, Muthu and suriya's ghajini, Ayan have been hits at the Andhra box office, the trade in the neighboring state too is interested in Aadhavan. The rights for the Telugudubbed version of the film have been sold, making Aadhavan a more valuable product. But the buzz is that Vettaikaran may win hands-down over Aadhavan on the publicity front, as it's being backed by Sun Pictures, who have a virtual monopoly over the media in Tamil Nadu. The box office for the Deepavali month is worth 100 crores, with all the other films combined. Only time can tell who will emerge the king of the box office this year.
Kaleidoscope
Kamal Haasan along with Kanimozhi MP launched the DVD of danseuse Shobana's epic dance drama, Maya Ravan.
PAZHASSI RAJA WEBSITE LAUNCHED
The website of the historical Pazhassi Raja which is being made in 5 languages was launched with lead actors Mammootty and sharath Kumar.
SURIYA AND NAYAN TO ROCK ON!
Audio launch of Suriya-Nayanthara starrer Aadhavan, saw a glitzy audio launch. Music director Harris Jeyraj, Vijay and Vivek were all praises for the stars.
MEET AND GREET
Soha Ali Khan who hosted India's first branded lifestyle reality show, Godrej Khelo Jeeto Jiyo meets the 3 winners for a cup of causal coffee.
KHATRON KA RAJA
Akshay Kumar who is hosting Colours' Khatron Ke Khiladi Level 2 recently met the press for an interaction with his 13 sexy contestants.
COLD WAR
himesh Reshammiya and Annu Malik called a truce when the latter become a celeb judge on the former's set : entertainment Ke liye Aur Kuch Bhi Karega.
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south scope
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